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  • Writer's picturestephanieraffelock

Looking for Kinky Friedman


My decision was really a whim. I didn’t think it through — I just knew that I wanted it. “I’m on a quest,” I told my husband and my friends, “to meet Kinky Friedman.”

It seemed like a good goal, given that we were moving to Austin, Texas. This was the place where Kinky had once made his stand. As I started to put things into boxes, Kinky bumped against something in my brain and I became obsessed with him. This was more than just a quest, it was an invitation from my psyche.

When we decided to make the move, it was because of the smoke that clogged our little valley in the summer months. For the past weeks, I couldn’t see, couldn’t breath for all that smoke. I became sick and sluggish. I felt trapped and stuck, but not just physically. I felt that way about my writing. And I felt that way about the unrelenting scandal, corruption and wreckage that filled the national news. I think the whole country was experiencing idiot fatigue, the kind of weariness that comes from so many grown-up men giving away their nuts. The result was a sickening lack of courage to stand up for anything, let alone the “right thing.” The move to Austin was a yet unformed promise of liberation from all thing blocking my view. It gave me hope, and a reason to unplug from the news. I’d pack up the television and lose myself in the whimsy of finding Kinky Friedman.

People asked me over and over again, “Why Austin?” I didn’t have much of an answer. I said things like, “They have a great music scene. I like the rolling hills. Warm weather is appealing to these old bones.” But I didn’t really know why Austin. Was it because I might possibly find Kinky Friedman? Could I be drawn to Austin because of a greater rising that was beginning to happen in the Lone Star state — a new nation being birthed, while I again, was experiencing a rebirth, too?

Once, a long time ago, when I was a 20-something, I’d met Kinky. He brushed by me in the hallway at NBC studios. I worked for a television show called The Midnight Special. It was on at 11:30 on Friday nights, hosted by Wolfman Jack, who started out each show with a deep, booming declaration: “Let the midnight special shine its ever lovin’ light on you.”

Armed with a hit record, Kinky Friedman and the Texas Jew Boys were guests on The Midnight Special. They sang irreverent songs with political overtones. All messages are made more palatable through the activism of laughter. His popular anthem, They Ain’t Makin’ Jews Like Jesus Anymore, was a memorable sing-along ode to anti-racism. That was long before any of us could imagine MTV, cable television or the likes of a Stephen Colbert. I’d thought that Kinky was hysterically funny. But he was also brilliant, a Mark Twain of the times, dressed up in the 1970’s. He said and sang what was on his mind, without worry about what others thought. He was genuine. And I wanted to possess that same kind of smart, funny, edge that made him so interesting. There was a time when I had it, when I felt it.

In that part of my life, I drank hard and stayed up all night listening to music. I wrote poetry and lyrics. I wrote my first short stories with a sharp wit that wasn’t afraid to make fun of things in the word that seemed hypocritical or otherwise disingenuous. There was in me a sense of wild mischief and quirk. But as the years went by, I started to care too much about what other people thought of me, how I was seen. I tried harder than anyone I’d ever met to “get my act together.” The result was that I broke off that wild and quirky piece of myself and buried along the road somewhere. I developed a sense of pride that I’d worked my ass off to become a responsible, upstanding citizen and contributing member of the community. So I forgot about Kinky, except to note he was still making music, and had also became a novelist who cranked out a lot of murder mysteries.

Life happens on more than one level at a time. Moving to Austin was now part of a search for the edgy kid of my 20’s. It was also a bold statement of my 60’s. Hubby and I saw this as a great adventure — doing a huge interstate move at a time when most people are downsizing, simplifying and slowing. I’ve taken risks before and the risks were always worth it, even when I seemingly failed. It wasn’t that I wanted to relive that earlier time, but I knew it was crucial for me to pull it forward to where I was now. Kinky Friedman became my symbol for that, a light that would help me rediscover that sense of wild again.

So where to look for this 74-year-old Texas icon? A bar in Austin? His animal preserve in San Antonio? To start, I bought his book, Armadillos and Old Lace. That might give me a clue. Then, I started to think about what I would say to him if I actually found him.

I pictured myself sitting in a bar in Austin, ordering a soda water and lime, and pretending that it was vodka on the rocks. I imagined leaning forward and asking the bartender if he knew who Kinky Friedman was. I’d tell him that I was on a quest to meet the musician, writer, and political activist. The bartender would nod toward a stage, where outlined in the smoky haze would be a guy tuning a guitar with a cigar in one hand.

I’d walk up to the stage. “Do you remember being on The Midnight Special in the 1970’s?” I’d ask. “Do you remember the young secretary on the show back then, the kind of funny one?”

He’d shake his head no and look perplexed.

“I guess it doesn’t matter if you remember her or not, I’m just looking for her, is all . . .”

“You might check somewhere down that road between happiness and despair,” he’d say, quoting one of his novels.

Then again, the bartender might just shrug at my question and say, “Everyone knows who Kinky Friedman is.” When pressed, he’d answer that he’d “never met the guy personally.” And I’d walk away remembering that I had met him personally, once when I was of a quicker wit, a faster step, and sharper edge. It was back in the days when the vodka in my glass would have been real and irreverent poetry was the prayer on my lips.

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